Recognized for her sophisticated approach to color, composition, and technique, Blanche Hoschedé-Monet (1865–1947) was part of a successful network of artists in Giverny, Rouen, and Paris during the first half of the twentieth century, although she is most often recognized for her relation to Claude Monet, her stepfather and one of France’s most famous painters. Having come of age at the center of the Impressionist movement, Hoschedé-Monet grew up surrounded by the modern masterpieces in the collection of her father, Ernest Hoschedé, who was a patron of such renowned artists as Édouard Manet, Monet, and Auguste Renoir. Her family’s move to Giverny in 1883 prompted her to take up painting in earnest. With Monet as her mentor, she developed a distinct style that favored carefully framed points of view and landscapes painted en plein air. As the first monographic exhibition of her work in the United States, Blanche Hoschedé-Monet in the Light brings together over forty paintings which attest to Hoschedé-Monet’s unique vision and ambitions as an artist in her own right. The exhibition and accompanying catalogue, with contributions by Nicolas Bondenet, Nancy Mowll Mathews, Galina Olmsted, Haley Pierce, and Philippe Piguet, constitute a definitive account of Hoschedé-Monet’s life and art.
This exhibition is supported by: the Jane Fortune Fund for the Advancement of Women Artists; Rick and Alice Johnson; Gary J and Kathy Z Anderson; Nancy L. McMillan; Paula W. Sunderman, PhD; and members of the Henry R. Hope Society.
