Focus: African Ceramics and the Collection of William M. Itter
Explore the intersections between gender and design in the African ceramics on view in the exhibition Looking at Form and Surface in African Ceramics, while also considering the roles of the collector and display by examining William M. Itter’s collection and the new Focus Gallery space.
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Nazi-Era Provenance Project
The Eskenazi Museum of Art strives to document the complete provenance (ownership history) of each object in its collection, from creation until the time it entered the museum. Works that could have been in Europe during the Nazi era (1933–1945) and that have gaps in their provenance, are priorities.
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