A Space of Their Own

Anna Dorthea Therbusch

July 23, 1721 – November 9, 1782

Active in: Germany
Alternate names: Anna Dorothea Lisiewska Therbusch

Biography

Anna Dorothea Therbusch was born into an artistic family in Berlin in 1721. Her father was the portrait painter Georg Lisiewski. Therbusch worked in the courts of Stuttgart and Mannheim, painting portraits of the Prussian royal family and aristocracy. She also painted multiple self-portraits, depicting herself with a monocle as she got older and her eyesight began to fail.

In 1765, Therbusch traveled to Paris where she was elected a member of the Académie Royale in 1767. There, she met Denis Diderot, who claimed to have posed nude for her. She returned to Berlin in early 1769, where she became a portrait painter to Frederick II of Prussia. Although she never traveled to Russia, she was admired by collectors there, including Catherine the Great. She died in Berlin in 1782.

Selected Works

Bibliography

A Checklist of Painters ca. 1200–1976 Represented in the Witt Library, Courtauld Institute of Art, London. London: Mansell, 1978.

Bartoschek, Gerd. Anna Dorothea Therbusch. Potsdam-Sanssouci: Die Generaldirektion der Staatlichen Schlösser und Gärten Potsdam-Sanssouci, 1971.

B., L. U. “Art’s Looking Glass: Fifteen Self Portraits.” The Massachusetts Review 13, no. 1 (1972): 189–204. http://www.jstor.org.proxyiub.uits.iu.edu/stable/25088221.

Bénézit, Emmanuel. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays. Paris: Gründ, 1999.

Berckenhagen, Ekhart. Die Malerei in Berlin. Berlin: Bruno Hessling, 1964.

Berckenhagen, Ekhart. “Anna Dorothea Therbusch.” Zeitschrift des Deutschen Vereins für Kunstwissenschaft 41 (1987): 118–60.

Berckenhagen, Ekhart. "Therbusch, Anna Dorothea." Grove Art Online. http:////www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000084494.

Beyer, Andreas, et al. Allgemeines Künstlerlexikon: die bildenden Künstler aller Zeiten und Völker. Munich: Saur, 1992.

Börsch-Supan, Helmut. Höfische Bildnisse des Spätbarock. Schloss Charlottenburg: Verwaltung der Staatlichen Schlösser und Gärten, 1966.

Borzello, Frances. Seeing Ourselves: Women’s Self-Portraits. New York: Harry Abrams, 1998.

Chapman, Caroline. Eighteenth-Century Women Artists: Their Trials, Tribulations, and Triumphs. London: Unicorn, 2017.

Dabbs, Julia K. Life Stories of Women Artists, 1550–1800: An Anthology. Burlington: Ashgate, 2009.

Foerster, C. F. “Neuerworbene Berliner Gemälde Des XVIII. Jahrhunderts Im Kaiser-Friedrich-Museum.” Berliner Museen 45, no. 4 (1924): 82–91. http://www.jstor.org.proxyiub.uits.iu.edu/stable/4237428.

Fort, Bernadette. “Peinture Et Féminité Chez Jean-Jacques Rousseau.” Revue D'Histoire Littéraire De La France 104, no. 2 (2004): 363–94. http://www.jstor.org.proxyiub.uits.iu.edu/stable/40535169.

Fort, Bernadette. “Indicting the Woman Artist: Diderot, Le Libertin, and Anna Dorothea Therbusch.” Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 23 (2004): 1–37.

Garlova, Maria P. “Anna Dorothea Therbusch-Lisiewska.” In An Imperial Collection: Women Artists from the State Hermitage Museum. Edited by Jordana Pomeroy, 170–75. London: Merrell, 2003.

Gaze, Delia, ed. Dictionary of Women Artists. London and Chicago: Fitzroy Dearborn Publishers, 1997.

Geismeier, I. “Gemäldegalerie.” Forschungen und Berichte 6 (1964): 136–37. http://www.jstor.org.proxyiub.uits.iu.edu/stable/3880508.

Greer, Germaine. The Obstacle Race: The Fortunes of Women Painters and Their Work. New York: Farrar, Straus, Giroux, 1979.

Hess, Peter. “Review of Deutsche Frauen der frühen Neuzeit: Dichterinnen, Malerinnen, Mäzeninnen, by Kerstin Merkel and Heide Wunder.” The Sixteenth Century Journal 34, no. 1 (2003): 258–59. https://www.jstor.org/stable/20061379.

Kovalevski, Bärbel, ed. Zwischen Ideal und Wirklichkeit. Künstlerinnen der Goethe-Zeit zwischen 1750–1850. Gotha: Ostfildern-Ruit Hatje, 1999.

Küster, Katharina, and Beatrice Scherzer, eds. Der Freie Blick: Anna Dorothea Therbusch und Lodovike Simanowiz, Zwei Porträtmalerinnen des 18. Jahrhunderts. Heidelberg: Kehrer, 2002.

Küster-Heise, Katharina. “Anna Dorothea Therbusch, geb. Lisiewska 1721–1782: eine Malerin der Aufklärung; Leben und Werk.” PhD Dissertation, University of Heidelberg, 2008.

Merkel, Kerstin, and Heide Wunder. Deutsche Frauen der Frühen Neuzeit. Dichterinnen, Malerinnen, Mäzeninnen. Darmstadt: Primus, 2000.

Meusel, Johann Georg, ed. Miscellaneen artistischen Inhalts 16 (1783): 266–75.

Montfort, Catherine R. “Self-Portraits, Portraits of Self: Adélaïde Labille-Guiard and Elisabeth Vigée Lebrun, Women Artists of the Eighteenth Century.” Pacific Coast Philology 40, no. 1 (2005): 1–18. http://www.jstor.org.proxyiub.uits.iu.edu/stable/25474166.

Münch, Brigit, et al. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Petersberg: Imhof, 2017.

Parker, Rozsika, and Griselda Pollock. Old Mistresses: Women, Art and Ideology. London: Routledge & Kegan Paul, 1981.

Jeffares, Neil. “Therbusch, Anna Dorothea Lisiewska.” Dictionary of pastellists before 1800. http://www.pastellists.com/Articles/THERBUSCH.pdf.

Küster, K. “Anna Dorothea Therbusch. Eine Malerin mit Ambitionen.” Weltkunst 72 (2002): 13.

Reidemeister, Leopold. “Anna Dorothea Therbusch: Ihr Leben und ihr Werk.” PhD dissertation, University of Berlin, 1924.

RKD. “Anna Dorothea Therbusch.” https://rkd.nl/explore/artists/50361.

Santos-Bueso, E., F. Saenz-Frances, and J. Garcia-Sanchez. “Anna Dorothea Therbusch’s monocle.” Archivos de la Sociedad Espanola de Oftalmologia 88 (2103): 26–27.

Simanowiz, Ludovike, and Katharina Küster. Der freie Blick: Anna Dorothea Therbusch und Ludovike Simanowiz: zwei Porträtmalerinnen des 18. Jahrhunderts. Heidelberg: Kehrer, 2002.

Stockhorst, Stefanie. “Friedrich Nicolai (1733—1811). Zum 200. Todestag Des Berliner Aufklärers.” Zeitschrift Für Germanistik, Neue Folge 21, no. 1 (2011): 153–59. http://www.jstor.org.proxyiub.uits.iu.edu/stable/23978403.

Strobel, Heidi. “Review of Miss Angel: The Art and World of Angelica Kauffman, by Angelica Ridden; and Angelica Kauffman: Art and Sensibility, by Angela Rosenthal.” Woman’s Art Journal 29, no. 1 (2008): 45–48. http://www.jstor.org.proxyiub.uits.iu.edu/stable/20358147.

Sutherland Harris, Ann. “Anna Dorothea Lisiewska-Therbusch.” In Women Artists 1550–1950, 169–70. Los Angeles: Los Angeles County Museum of Art; New York: Alfred A. Knopf, 1976.

Thieme, Ulrich, and Felix Becker. Allgemeines Lexikon der bildenden Künstler: von der Antike bis zur Gegenwart. Leipzig: Seemann, 1907–50.

Weidemann, Christianne, Petra Larass, and Melanie Klier. 50 Women Artists You Should Know. Munich: Prestel, 2016.

Wentzel, Hans. “Jean-Honoré Fragonards «Schaukel»: Bemerkungen Zur Ikonographie Der Schaukel in Der Bildenden Kunst.” Wallraf-Richartz-Jahrbuch 26 (1964): 187–218.

Entry Notes

Contributions to timeline and bibliography provided by Indiana University A300 student