Mask
Culture | Yaka |
---|---|
Title | Mask (Kawbwamaba or Mbawa) |
Date | Unknown |
Medium | Cloth, pigment, raffia, and and bamboo |
Dimensions | Object: 64 × 36 in. (162.6 × 91.4 cm) Overall: 64 × 36 in. (162.6 × 91.4 cm) |
Credit Line | Evan F. Lilly Memorial, Gift of Thomas T. Solley, Eskenazi Museum of Art, Indiana University |
Accession Number | 80.8 |
This artwork is currently on view. |

A large mask roughly in the shape of a human face wearing a hat/headdress with horns protruding from the sides, and a mane of raffia attached to the sides and bottom of the mask. The face is colored with red, blue, and white pigments, with blue triangle shapes near the eye areas.
One of the masks both the Yaka and their neighbors the Suku associate with the initiation of boys into adulthood, kawbwama represents a particular type of buffalo that is the largest African bovine. According to Yaka and Suku beliefs, this buffalo is an animal that can disappear and reappear at will, recalling certain spiritual practitioners with similar powers. In addition, the animal is also likened to an elder who is very powerful and can be both helpful and menacing. At its appearances during initiations, the mask is supposed to frighten the boys so that they will obey and respect their elders. It also is meant to threaten any person or force wishing harm to the boys. Unlike most other Yaka and Suku masks, this one is not made by a professional sculptor, but instead is fashioned from splints, cloth, and raffia by the adult leader of the initiation.
Provenance research is ongoing for this and many other items in the Eskenazi Museum of Art permanent collection. For more information about the provenance of this artwork, please contact the department curator with specific questions.
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Cite this page
"Mask | Collections Online." Collections Online. Sidney and Lois Eskenazi Museum of Art, Indiana University, 2025. https://artmuseum.indiana.edu/collections-online/browse/object.php?number=80.8