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Commemorative Altar

Artwork Tombstone
CultureFon
TitleCommemorative Altar (Asen)
Date19th century
MediumIron
DimensionsObject (height from deck): 51 1/8 × 13 × 13 in. (129.9 × 33 × 33 cm)
Overall (includes mount): 68 5/8 × 13 × 13 in. (174.3 × 33 × 33 cm)
Credit LineGift of John and Rita Grunwald, Eskenazi Museum of Art, Indiana University
Accession Number74.52
This artwork is currently on view.
At the top of the altar there is a seated figure, with a second standing figure holding an umbrella for the first figure who sits beside a palm tree on a slightly convex, circular base that is supported by thin iron rods. These rods connect at the edges of the base and taper downward, joining together at the center on a small iron ball; this ball is the top of a single, longer iron rod.

At the top of the altar there is a seated figure, with a second standing figure holding an umbrella for the first figure who sits beside a palm tree on a slightly convex, circular base that is supported by thin iron rods. These rods connect at the edges of the base and taper downward, joining together at the center on a small iron ball; this ball is the top of a single, longer iron rod.

For the Fon, an asen is a visual symbol of the connection between the living and the dead. Each asen commemorates one deceased family member, and traditionally all of a family’s asen would be kept in a special one-room structure opening into the family compound’s courtyard, where offerings were regularly made to ensure the help of the ancestors in giving their descendants health and prosperity.

This asen is typical in form, consisting of an iron staff that is topped by a small platform on which is arranged a figural tableau. Here, a figure sits on a stool, shaded by an umbrella held by a figure standing nearby. The seated figure holds a pair of tongs, similar to those used by blacksmiths, and a knife, one of a blacksmith’s most important products. The scene may indicate that the deceased was a blacksmith; it may refer to Gu, the Fon deity associated with iron and warfare; or it may be a reference to a proverb or praise song: according to Fon tradition, only the person who commissioned the asen and its maker can interpret it fully.

Provenance research is ongoing for this and many other items in the Eskenazi Museum of Art permanent collection. For more information about the provenance of this artwork, please contact the department curator with specific questions.

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Cite this page
"Commemorative Altar | Collections Online." Collections Online. Sidney and Lois Eskenazi Museum of Art, Indiana University, 2025. https://artmuseum.indiana.edu/collections-online/browse/object.php?number=74.52