Indiana University Bloomington IU Bloomington IUB

Bottle Dryer (Porte-Bouteilles)

Marcel Duchamp challenged traditional definitions of art with his controversial readymades, produced between 1913 and 1921. The readymades were mass-produced items, some slightly altered, that Duchamp presented as works of art. In 1964, Duchamp and his Milan dealer Arturo Schwarz produced a limited edition of replicas of the original readymades, most of which had been lost. The Eskenazi Museum of Art owns one of only three complete sets of the 1964 edition of eight (the others are at the National Gallery of Canada and the Israel Museum).

The bottle dryer was a common implement in early twentieth-century French kitchens. Duchamp appropriated this everyday item, transforming it into a sculpture.

Marcel Duchamp
French (active in the United States), 1887‒1968
Bottle Dryer (Porte-Bouteilles)
1964 authorized replica edition (original 1914)
Galvanized iron
Edition 8/8
23 ¼ x 14 ½ in. (59.1 x 36.8 cm)
Sidney and Lois Eskenazi Museum of Art, Partial gift of Mrs. William H. Conroy, 71.37.3

Large image not available.